在顾雄的作品《江海横流》（2010-2015）中，主要描述了分布的河流网状形态，它们是一种可用于历史文化研究的重要人类学结构。“交叉的网络河道”不仅是各地水域最后汇入大海的主要形态，还能在世界各地形成不同的地域和文化身份。在顾雄的作品里，河流象征着从中国到加拿大的移民浪潮。顾雄发现，汇聚成中国的长江和加拿大的菲沙河的河流分支是多么的渺小。他相信呈网状形态的小河最终汇聚成江河大海，就像是世界各地移民的多种文化在相互交融的过程中汇聚成一种新的文化景观。此外，顾雄还通过他的作品表达出建立高贵林湖大坝（温哥华）与三峡大坝（中国）其实是对当地环境、生物和人的一种解构，而这些大坝的建造不仅不能完全地防止水的继续流动，反而延伸出新的水路。从另一个角度说，当地的各种生物、水流和人不得不去适应大坝，从而成为一种新的人文标志。
《江海横流》展现给我们的是，生活如何像水一样无情地向前奔流，而一个人为了能在全球化的浪潮中找到一个生存空间，也得像河流一样，通融、灵活和开放。
“Becoming Rivers,” a mixed-media installation in the “Border Zones: New Art Across Cultures,” an international exhibition at the University of British Columbia Museum of Anthropology and part of Vancouver’s 2010 Cultural Olympiad, Canada
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Artwork included in the installation
“Becoming Rivers,” acrylic on canvas, 5.5′ x 16′, 2010
“Waterscapes,” a set specific installation at Richmond Art Gallery, Richmond, British Columbia, Canada, 2010
Installation
“Coquitlam Waterscapes,” a solo exhibition at Evergreen Art Gallery, Coquitlam, British Columbia, Canada, 2012
Installation
Photographs included in the installation
“Waterscapes: Reframed,” at Reach Gallery Museum in Abbotsford, British Columbia, Canada, 2011
Installation
“Red River,” a solo exhibition at Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, 2008
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Photographs included in the installation
“Boundless River,” at OrganHaus Art Space, Chongqing, China, 2009
Installation
“The Source: Rethinking Water Through Contemporary Art,” at Brock University’s Rodman Hall Art Centre in St. Catharine’s, Ontario, Canada, 2014
Installation
“Waterscapes,” an installation at Centre 3 for Print and Media Arts, Hamilton, Ontario, Canada, 2015
Installation
“Waterscapes,”a permanent public art piece at St. John’s College, University of British Columbia, Vancouver, British Columbia, Canada, 2015
Installation